Adrienne Russell

the future of journalism

I contributed an essay on the future of journalism to the Spring issue of Journalism which is dedicated to celebrating the journal's tenth anniversary. Of course everyone is weighing in on the topic these days, including this yesterday from Clay Shirky and this from Michael Hirschorn. Hirschorn writes about the death of news print, and the New York Times specifically:

But over the long run, a world in which journalism is no longer weighed down by the need to fold an omnibus news product into a larger lifestyle-tastic package might turn out to be one in which actual reportage could make the case for why it matters, and why it might even be worth paying for. The best journalists will survive and eventually thrive

It's good to see people looking at last beyond the tragic death of the old model. Here are my two cents.

-------

News Bust; News Boom (draft)

News and journalism are in a boom period of innovation and expansion.

If that comes as a surprise, it is because the mainstream news media for years has been reporting gloomily on its own demise. But that gloomy story is a narrow business story, where the mainstream news industry is conflated with the much wider news, information and communication culture. Yes, business models are in flux, jobs are vanishing and the news industry as we have known it is in late-stage critical condition. But as anyone with an internet connection knows, news is thriving. Profits may be down but information is up. The amount of news material produced each day, access to that material, varieties in form and content, participation in the making and disseminating of it -- it's all booming.

In the last year, I have assembled a homepage that delivers eclectic journalism from various mainstream and independent sources to my desktop in realtime. I read mainstream and independent blogs of opinion and analysis. I read local and national reporting from the United States but also local and national and international reporting from around the world. My personalized RSS feeds and email lists point me to additional news sources that I only wish I had time to follow. As a consumer of news I, like many people I know, have never been more satisfied with the options, never more engaged in the material being reported and the process through which it is being reported, and I have never been more interested in the question of how all of that might change tomorrow and the next day.

We presently enjoy a mix of big-budget, shoestring-budget and free reporting. The fear is that big-budget reporting will disappear.  But the market for consistently delivered well edited beat reporting remains. People still read the New York Times; they're just not willing to pay for it the way they used to do. Fact is, in 2008 spending on internet advertising will, for the first time, surpass combined spending on television, radio and film advertising (Richard & King 2008) and, despite the financial crisis, analysts forecast double digit percentage increases in online advertising over the next five years (IAB 2008, Glaser 2007, Ramsey 2008). That revenue will support a well-branded leaner class of what we might call traditional journalists. The members of that new leaner class, in turn, will adjust to becoming merely one set of contributors to the collection of news material aggregated by users and filtering software to make a new kind of "paper of record." The evolution of journalism will partly depend on how traditional journalists learn how best to add value to the new news environment. It is not merely a matter of adopting new technologies. There must also be a willingness to shift mentalities, to adapt the traditional values and practices of journalism so that they match the best part of the wider contemporary news culture.

There is a long list of developments taking place that point to an increase in the ability of journalism to serve the public interest. At the top of that list is expanded public participation in the field. The remarkable increase in access to news information over the past decade has been matched by the equally remarkable increase in the number of people producing journalistic material. In 1987, James Carey wrote that "the public will reawaken when [it is] … encouraged to join the talk rather than to sit passively before a discussion conducted by journalists and experts." Cast in the light that sees journalism as fundamental to and an accelerator of democracy, the practice -- if not necessarily the profession -- of journalism might be seen as heading in the best possible direction.

Greater public participation, for example, is generating more useable so-called hyperlocal news, which is reported increasingly via crowdsourcing  and instant messaging by local residents intimately familiar with what they are reporting. U.C. Berkeley journalism student sites report on Bay Area neighborhood issues.  A St Louis broadcaster set up social networking sites so residents falling behind on their housing payments could share vital information. The trend is realtime, participatory, engaging and growing.

Similarly, concerns with fact-checking and fairness that drew warnings surrounded by exclamation points even a year ago are beginning to be answered by the expanded digital network. Less tied to corporations, labor unions and political parties, independent fact-check sites, like Factcheck.org, will be a welcome substitute to editorial boards. Likewise, the growing number of internet users now practiced at factchecking is vastly surpassing the capabilities of most stripped-down newsroom staffs. At the best news sites, the commitment to accuracy on the part of the staff is matched by the commitment of the readers. Errors are called out and stories are updated all the time.

The rapidly increasing percentage of material online designed to be shared -- so-called spreadable or viral media -- encourages users to adapt it to their own purposes, to use it to inform on multiple issues of concern. Crowd-funding, where readers finance specific investigative reporting, distributes the power to set the news agenda.   Second-generation social news sites such as NewsTrust and NewsCred aggregate and rate stories based on quality not just popularity. Google is developing search tools that will rank stories based on factors such as number and reliability of source links and the author's record of publication.

The future of journalism is here. It is characterized by increasingly distributed profits and distributed reporting. It is more opinionated and more fair, more varied in form and content, more local and more national, more global and more personal. It is more horizontal and collaborative and open ended. The future of journalism, like news, is being forged by the boom in innovation and expansion we are living through today.

 


References
Carey, James (1987). “The Press and Public Discourse.” The Center Magazine, March/April, 4-16.

Glaser, Mark (2007). ‘Your Guide to Online Advertising’, Media Shift, viewed 15 Nov 2008 <http://www.pbs.org/mediashift/2007/06/your-guide-to-online-advertising178.html>

IAB (2008). ‘Internet Advertising Revenue Report conducted by 'PricewaterhouseCooper’, viewed 15 Nov 2008, <http://www.iab.net/insights_research/1357>

Richard, Chuck and Sheila King (2008). ‘Annual Advertising and Marketing Study 2008’, Outsell Inc., viewed 15 Nov 2008 <http://www.outsellinc.com/store/products/741>

Ramsey, Geoff (2008) ‘Online Ad spending will keep growing’, Emarketing, viewed 15 Nov 2008 <http://www.emarketer.com/Article.aspx?id=1006653>

January 07, 2009 in journalism | Permalink | Comments (0) | TrackBack (0)

Technorati Tags: digital networks, future of journalism, news

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Yes men NYT hijinks

Yes-men-nytThe Yes Men -- the fabulous pranksters who got Bush to admit he thought  there should be limits on freedom of speech and who have passed themselves off as all manner of authority figures, including WTO reps and Dow Chemical spokesmen, to terrible and hilarious effect -- this morning recruited volunteers through grassroots site Because We Want It to distribute copies of a fake version of the New York Times. Headlines proclaim "Iraq War Ends," "Court Indicts Bush on High Treason Charge," and many more hopeful fantasies. Here's the online version, which is a spittin' image of the Times site -- except of course that it allows comments on all of its stories.


Gawker describes. 
NYT reacts. 
Ebay commodifies.
Yesmen weighs in. 

And luckily the NYT is flattered. Alex S. Jones of the NYT City Blog says: “I would say if you’ve got one, hold on to it. It will probably be a collector’s item. I’m just glad someone thinks The New York Times print edition is worthy of an elaborate hoax. A Web spoof would have been infinitely easier. But creating a print newspaper and handing it out at subway stations? That takes a lot of effort. I consider this a gigantic compliment to The Times.”

November 12, 2008 | Permalink | Comments (0) | TrackBack (0)

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Hooray!!

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November 05, 2008 | Permalink | Comments (0) | TrackBack (0)

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networked publics

Networked cover

I just received my copy of Networked Publics from MIT Press, the product of a year-long research project I participated in during 2005-2006 at USC's Annenberg Center for Communication. The book explores changes facilitated by digital tools. Chapters center on place, politics, culture, infrastructure. I edited and coauthored the chapter entitled Networked Public Culture. Thanks to Kazys Varnelis for patiently pulling the book together. A few of the chapters are available at the Networked Publics site.

October 12, 2008 in Networked Publics | Permalink | Comments (0) | TrackBack (0)

Technorati Tags: digital culture, networked publics, new media

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SuperMedia

A few weeks ago I met with Charlie Beckett in London and we had a great talk about journalism in the new-media landscape in which he described some of the research initiatives and projects he is involved in as Director of Polis, a journalism think tank at LSE.  Back in the States now, I just finished his recently published book SuperMedia: Saving Journalism So It Can Save the World, which  I found an impressively thorough and clear-minded assessment of the often pained contemporary evolution of journalism. You can check out several chapters here.

SuperMedia is packed with examples of recent experiments undertaken by journalists and news media organizations, but it's more than merely descriptive of the current state of affairs. As the title makes clear, SuperMedia is marked by lofty insider ambitions: it's a manifesto, basically, that plots to save what's best about journalism. It's a call to recognize what Beckett hopes will be an enduring connection between public good, human rights and the news. The book argues that, far from being a species on the verge of extinction, new networked journalists can be a great force for positive global change. Networked journalism -- journalism that breaks down the divide between old and new, amateur and professional (7) -- can be at the heart of the new "super media," he says:

[SuperMedia] does not have the answer to a problem like climate change. But it will address the issue in a way that offers a networked understanding and the possibility of engagement. The public needs to understand but also to be involved.... A networked media offers the public a chance to be more than simply informed. By increasing the dialogue between public and power, it can facilitate change. In the end, it is about turning media literacy into political literacy (167-168).

I am instinctively drawn to the boldness and optimism of this argument, even though I tend not to believe in super heros or in narratives of change based on the hope that those in powerful  positions (in this case professional networked journalists) will act benevolently.

SuperMedia calls for for more public involvement in the process of news production in order to create more diverse content and more effective tools for enhancing public life. That seems to me essential, the clear way forward. How that will work is another question. Beckett imagines a new model largely based on the old model, where journalists are necessarily separate from the public and charged with maintaining norms like balance and objectivity.  He sees journalists as the architects of diversity, through an "openness to engage with new sources, perspectives, and narratives and an ability to use them to create networked journalism." (150) He explains that one of the most important functions in the networked environment is to quickly filter, verify and aggregate information.  And he stresses the defining quality of "journalism" this way:

To have validity as journalism, rather than simple testimony, news communication has to attain a degree of authority. People have to trust it as a version of reality that aspires to objectivity, fairness, accuracy, and thoroughness. It might be valuable without that quality but it is not journalism.

The discussion of this distinction does not come around to examining the ways that the procedures and values constructed in order to accommodate this aspiration "to objectivity fairness, accuracy, and thoroughness" create a series of biases, including bias in favor of the status quo and bureaucratically credible sources (Glasser), which in turn excludes the public from the process of storytelling and can contribute to apathy and distrust (Carey, Schudson).  And it does not fully explore the cultural function of journalism -- how it serves simultaneously as conveyor, translator, mediator, and meaning maker (Zelizer) -- and the power that comes along with these various roles. That is, SuperMedia does not unpack the increasing tension between professional journalism and amateur journalist publics and it doesn't fully address the fact that the contemporary mixing of the two is controversial not simply because the public may dilute the quality of the news product but because allowing the public into the news-making process suggests that the model that assumes journalists are exclusively qualified to uncover the truth is becoming obsolete.

Instead of holding fast to certain categories and criteria of what is and is not journalism, I think the concept of Networked Journalism should reflect the blurring of these distinctions -- for that is where we are at today: widespread amateur use of digital networked tools for practices that are journalistic are part of the news media, both officially and unofficially. If we accept more empowered view of the public, a public that has the capacity to act as participant and not merely spectator in the public sphere, then we need to let go of the idea that the forms and practices of professional journalism are the only thing that qualifies as true news product.  Diverse forms and styles of communication work to invite additional diverse voices. These new forms can empower people to communicate in the ways that they see fit, to develop new genres and styles, to truly participate rather than being forced to adopt to a particular form in order to be included in the conversation. This expanded view of networked journalism, I think, can better support the participatory public at the heart of Beckett's optimistic book.

Carey, James (1989) Communication as Culture. Boston: Unwin Hyman.

Glasser, Theodore (1984) “Objectivity Precludes Responsibility.” The Quill, February, 13-16.

Schudson, Michael. (2003) The Sociology of News. New York: W.W. Norton.

Zelizer, Barbie (1998) Remembering to Forget: Holocaust Memory through the Camera's Eye, Chicago: University of Chicago Press.

 

July 09, 2008 | Permalink | Comments (2) | TrackBack (0)

Technorati Tags: Charlie Beckett, Networked Journalism, Polis, SuperMedia

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Denver Open Media Wins Knight News Challenge

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(Published first on The Huffington Post's Off the Bus) 

The Knight Foundation announced its News Challenge Award winners last week at the Interactive Media Conference in Las Vegas. Sixteen projects will share various portions of this year's $5.5 million prize. With the News Challenge, Knight aims to fund new-media innovations that "transform community life." This year's winners include digital culture all-star Tim Berners-Lee, who invented the World Wide Web, and ten "young creators" or applicants who are less than 25 years old. 

Also among the winners was Denver Open Media, a two-year-old independent public access broadcast project. (disclosure: I am a recent addition to the DOM board.) The organization won a two-year $380,000 grant to help share its open-platform business model with stations nationwide, connecting public access stations across the country to create a new-style broadcast network. The small DOM staff trains people to film and edit their programs and upload them to the Web. The programs then play on three local TV stations and on the internet. Viewers can text in ratings and comments on each show. The rating and comments appear onscreen in realtime. Programs that garner the most votes move into the best time slots. Program quality, styles and purposes vary wildly. 

News of the Knight award heightened buzz among the Denver independent media community, which has been ramping up in advance of the Democratic National Convention to be held here in August. IndyMedia Colorado reformed in the spring and national players such as Google, YouTube and Daily Kos have begun laying plans for Convention coverage, working together to set up a "Big Tent" space for bloggers to work at while the delegates convention in the city's Pepsi Center. According to a report at Kos, the space will be well-rigged with wifi and digital equipment. Free Speech TV is hosting Democracy Now! and deploying their cameras and crew to report on convention protests. Denver is also hosting Dialog:City, a public art project that will feature ten digital media instillations in neighborhoods throughout the city. 

I spoke briefly with DOM executive director Tony Shawcross. 

How does the award money change what you can at DOM? 
The main thing [the money] enables us to do is replicate our model at other public-access stations and begin to realize the promise of networking in a way that lets the stations share content, share best-practices and cooperate the way other media networks do. As we hope to increase viewership, we want to collectively leverage the best community media across several stations and begin to offer programming of a different level of quality. Bringing multiple stations together will increase the amount of quality programming for all. 

How will it influence public access TV? What’s your goal? 
Our plans are about getting a wider audience for citizen journalism and aimed at making it clear that the tools and skills required to get your work seen by a large audience are not reserved for the privileged few. 

What’s changing right now in your community of indy media makers in preparation for the convention? 
I would say that the real story of the DNC this year will be the non-commercial perspective. Community perspectives from everyday people will be more accessible this year than at any convention before. The real story will not happen inside the Pepsi Center.

May 20, 2008 | Permalink | Comments (0) | TrackBack (0)

Technorati Tags: Democratic National Convention, Denver Open Media, Knight News Challenge, New Media

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Talks on online journalism and public participation

A few weekends ago I attended a fantastic conference in Vancouver, The Future of Public Institutions--New Media, the Press, and The Museum sponsored by The Pierre Elliott Trudeau Foundation and organized by two of their scholars Mike Ananny (Stanford University) and Kate Hennessy (University of British Columbia). I sat on a panel with Alfred Hermida founding member of the award-winning BBCNews.com website and Tim Richards of CBC. My talk The New Publics of the New News addressed the way the notion of “public interest” takes on different meaning depending on the perceived role of the public in the process of newsgathering and distribution.

And on April 17 the Estlow Center for International Journalism at University of Denver held an event honoring Renee Montaigne, host of NPR's morning Edition. The day was packed with great discussions about the changing power dynamics of news and storytelling.

In my brief talk Diversity Online I argued that on the web diversity has as much to do with form and genre as with traditional demographic indicators like race and gender.

May 20, 2008 in Talks | Permalink | Comments (0) | TrackBack (0)

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Open source TV

Dom

On Wednesday Deb Lastowka and Tony Shawcross of Denver's public access television station Denver Open Media gave my students and I a tour of their facilities and talked with us about the work they do. Their bold vision of the future of TV is much needed. While sites like YouTube are making history by catering to the mass craving to create and distribute amateur video, regular old television— a decade into the internet era— is still pretending the web is basically a form of Sunday newspaper: mostly good for advertising and reprinting schedules. Sorry but American Idol voting is the very definition of faux participation.

Every aspect of DOM is participatory. The organization lends out equipment and offers low-cost classes on making and uploading video. Open Media members make all the station's programs. Shows that garner the most votes from viewers are rewarded with the best broadcast time slots. Viewers can also text-in ratings and comments, which appear onscreen in realtime.

DOM is sharing this model with other public-access stations throughout the country. In a video outlining their vision of networked TV, Executive Director Tony Shawcross explains:

In developing all the tools we need on the limited resources that we have, we've been working with some of the leading public access stations in the country. Together we've invested over $100,000 in developing a tool set that will allow any public access station to adopt the pieces that they want, include them in their model, and start collaborating with us and the other stations so we can together start acting like a network instead of tiny independent isolated stations.
You can watch DOM programs live or browse the archives. Don't forget to vote!

February 29, 2008 | Permalink | Comments (0) | TrackBack (0)

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P+P mini-festo

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Pop and Politics, a USC youth-culture politics site that I also am a happy contributor to, recently published a manifesto that not only explains the relationship between popular culture and politics as they (we) see it but also articulates a compelling vision of the future of news and of how best to train future journalists. Here's an excerpt:

Younger audiences have been famously abandoning traditional news because it has failed to effectively evolve. Contemporary information culture has made traditional “objective” reporting appear a veil thrown over institutional and editorial and authorial biases. P+P students are taught to try to write honestly as much as objectively, to be authentic and real with their readers and viewers. Likewise, traditional categories of information have been rendered less relevant, even distracting. A political campaign is a media production. A movie is a political event. P+P takes a culturally sophisticated view of information products— looking for the politics in art and the art in politics. Pop culture is perhaps the only area of the sixties counter cultural revolution to have survived and grown wider and deeper. Pop culture is not only entertainment but a vital link to engaging youth in cultural and political debates.

You can read the whole piece here.

December 09, 2007 | Permalink | Comments (0) | TrackBack (0)

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Introduction to International Blogging

Thanks for all of the suggestions. Here is a revised version of the introduction to a forthcoming book I'm editing with Nabil Echchaibi on international blogging. Comments still welcome.

Annan


*Draft*
International Blogging: Introduction

Introduction
Adrienne Russell
Introduction
Adrienne Russell

I.
This book is part of an increasing effort in media studies to address the parochialism of contemporary scholarship by considering media practices and products developed throughout the world. In 2000, citing corporate-led globalization, developments in geo-politics, the rise of the Asian economy, the emergence of new centers of media production and the growth of media studies as an academic field, James Curran and Myung-Jin Park called the narrowness of media scholarship “transparently absurd.” (2000:3) In the years since, proliferation of new forms of digital media and the related rise of the audience as a major participant in the production of online content extends even further the range of media products and practices developing world-wide and the absurdity of theory elaboration based on isolated Western case studies.

Over the past decade, blogs have become a significant part of the transnational media environment, the most popular of so-called 2.0 or second-wave web applications. Yet analysis of the form generally reflects the traditional limits of the field. The fact is, new-media scholars by and large perceive and assess blogs around the world according to a particular perception of the form’s qualities. This is an updated version of the mistake we made with old media. We imagined TV everywhere would act among viewers the way TV does generally in the United States. But communications scholars such as Elihu Katz and Tamar Liebes (1993)(1), have demonstrated, for example, that people watch TV and relate to TV in different ways, that they look for different things from it depending on cultural contexts and that they likewise make different meanings of the things they see. Blogs such as the popular one produced by “riverbend”(2) in Baghdad suggest blogging as a form may or may not be fostering political representative democracy in Iraq, but it is definitely strengthening traditional forms of communication there, such as oral-style micro storytelling as the key ingredient to larger cultural conceptions.(3)

To many, the spread of the American blogging model around the world—including its norms and practices and modes of operation—effectively represents the spread of democracy. The rhetoric that surrounds blogging essentially describes the liberating potential of a new (American) cultural product, created and distributed globally through inherently democratizing digital tools and networks. More specifically, a rash of recent works outlines the emergence of a new more horizontal politics and journalism driven by blogs and the networks blogs seem to engender. (4) These works mostly derive from compelling anecdotal evidence but also mostly overlook or ignore the ways power dynamics offline influence developments online. There remains generally a crucial lack of integration in new-media studies between online and offline realities. The theoretical links scholars have been forging, myself included, between democracy and the internet generally and blogs in particular form the great bulk of popular as well as official thinking, obscuring variable contexts and hemming in larger realities.

The photo on the cover of this book was taken in Tunisia in November 2005 at the United Nations World Summit on the Information Society.(5) The event was charged with the tension between the summit delegates, who were promoting increased access to and openness toward new media, and the Tunisian government, which was overtly repressing media freedoms across the board. There is a metaphorical quality to the fact that while the delegates in the summit hall considered the potential of the internet to foster development and democracy, the people just outside the hall were living with the ability of the government to foster repression. During the summit some of what was going on in Tunisia included a hunger strike staged by eight Tunisians over human rights violations, including indefinite detentions for posting or viewing “subversive” material online; visa authorities prevented the head of Reporters sans Frontiers from entering the country; a human rights reporter from the French daily Libération was beaten on the street while nearby police refused to intervene; and state communications agents blocked or took down Tunisian protest and political websites. Defending the selection of Tunisia as the site for the conference, UN Secretary-General Kofi Annan told the BBC that he personally discussed the issues of censorship and human rights abuses with the country’s president. “Sometimes,” he said, “organizing these conferences in places like Tunisia, putting the spotlight on them, where these issues of human rights and others are discussed, it’s extremely helpful, it helps push the cause forward” (BBC 2005).

Annan’s remarks reference for me the problem with the way a lot of scholarship and related bureaucratic writing imagines the power of digital media—the idea, that is, that digital media’s just being somewhere “helps push the cause forward.” In his remarks Annan was talking on one level about drawing media attention to rights abuses and even about provoking oppressive heads of state. On another level, however, he was drawing on a theoretical tradition that promotes the benefits of exposure— of exposing people from oppressive countries to people and institutions from the lands where democracy reigns, the idea being that just getting the UN and democratic thinkers on the ground would create a force, born from example, that would move life in “places like Tunisia” closer to something like life in the West. This theory of exposure has thread its way through media studies for a long time, shaping academic research as well as government policy, and, I think, is enjoying a rebirth in communication and digital-media studies today, tied in particular to the world of blogging.

Recent writing on the liberatory potential of digital media constitutes the latest chapter in the promotion in the West of media as perhaps the key tool in the spread of democracy. Theories of international communication were an integral part of Cold War discourse—the primary function of international communication being, according to Western thinkers at the time, to promote democratic government, freedom of expression and financial markets. (Thussu 2000) Cold War-era or second-wave modernization theory (6) arose from the notion that, in the global ideological battle against socialism, international mass communication could be used to transfer the social, economic and political models of the West to the newly independent countries of the South. One of the earliest exponents of this theory, Daniel Lerner (1958), proposed that contact with the media facilitated societal evolution from “traditional” to “modern” because the flickering presentation of modern ways spurred members of traditional societies to reassess their ways of life.

Subsequent research thankfully “problematized” modernization theory, in part by breaking down the simple dichotomies at the heart of much of the writing. Case studies demonstrated that, despite tireless efforts at modernization through media, traditional cultures and values endured, even as people throughout the non-Western world adopted and adapted the latest communication technologies.(7) In the late-sixties, proponents of media imperialism theory directly challenged modernizationists with the argument that American media aid to developing countries, rather than freeing people of the traditions alleged to inhibited development, created increasing dependency within the already imbalanced global economic system, serving mainly to spread Western consumer values and tastes around the world. (Schiller 1976; Mattelart 1979; Boyd-Barrett 1977)

International communication theory and research has developed a great deal of nuance in the decades since, underlining, for example, the way U.S. media practices have been remade by users around the world to better suit their needs (Appadurai 1996); the fact that people interpret media texts differently depending on, among other things, their gender and cultural identity (Ang 1985); the general preference for regional and national media over global media products (Turnstall 2007); the fact that there are significant flows of media from the global south to north (Thussu 2000); and that media technologies are as often used as tools of oppression as of liberation (Sreberny-Mohammadi 1994, Lim 2003, Downing 2000).

And yet something fundamental to the Cold War discourse has been reanimated. Digital communication in general has been touted for its independence relative to mass communication, its lack of gatekeepers, its mostly unmediated network qualities. (Rheingold 1993, Turkle 1997, Negroponte 1996) Discussion of blogging takes this thinking to new levels. Blogging is celebrated as extended public journaling, pure multimedia freedom of expression, produced anywhere in the world there is internet access and available for eyeballs the world over to take in. The democratic character of blogging is accepted as inherent, the very essence of both the act and the product, the starting point of any larger discussion.

Blogs are seen as part of, even perhaps fueling, a trend toward more outspoken, unruly, and mobilized publics, even if the manner in which these publics are being received is accepted as highly contextual (Jenkins 2006, Benkler 2006, Russell, et al, forthcoming). There is, at base, still a tendency to presume the existence of positive affinities rooted in artifacts. As Luke (2006) puts it: “Everyone on the Net allegedly wants unconstrained and free connectivity to something, but sharing access to, and the use of, a set of telematic tools may not automatically create a free and equal fraternity of meta-nationals.” (175) On the contrary, a “global village” does not spontaneously occur. To the extent that it exists at all in the blogosphere, the global village is engineered through projects like the Harvard Berkman Center’s Global Voices Online, a “citizens’ media” outlet that aggregates blogs, translates content, rallies around persecuted authors, organizes conferences and solicits funding and support.

Through aggregator sites, activist tool-kits that include “how-to” guides, and financial support, blogging advocates such as Global Voices promote particular practices and serve as de facto gatekeepers of the blogosphere. In the Handbook for Bloggers and Cyber-Dissidents published by Reporters sans Frontiers, Mark Glaser contributed a chapter entitled “What Really Makes a Blog Shine” in which he compiles a list of recommendations for bloggers from countries where “the government is watching their words very carefully and the world is watching them as well.” He suggests bloggers from these countries use their own voice, post frequently and about current events, involve readers in the conversation, and include “good old-fashion reporting.” His suggestions are clichés indiscernible from those you will find in contemporary U.S. business or journalism textbooks on new media; they are in fact recommendations about how to make your blog palatable to American readers, extolling American-style individualism and drawing on traditional American news practices that insist on timeliness and truth-claims based on the observations of reporters and their sources.

Global Voices anoints “bloggers who shine” as what it calls “bridge bloggers,” adding them to the ranks of its list of “the most influential or respected and credible bloggers or podcasters” from around the world. Global Voices aggregates these “A-list” blogs and serves as a sort of watchdog, reporting cases of persecuted authors, garnering international support for them, guarding them against isolation. Indeed, Global Voices is just about equally split in its content between bloggers who are bringing mainstream media to task or unearthing new journalistic information and those who have been the target of censors and/or jailers and whose fate is dependent on their ability to capture the attention of an international audience, beginning of course with popular bloggers and their readers. (8) The tension at the heart of laudable projects like Global Voices is the one at the heart of the blogosphere today, one so obvious as to go rarely remarked upon, a recognizably Western tension that runs between free speech and democracy on one side and marketing and public relations on the other. Clay Shirky, in his popular essay “Power Laws, Weblogs, and Inequality,” (2005) argues what most of us take for granted, that these inequalities are not a failure of the system but rather an inevitable side effect of freedom of choice: “In any system where many people are free to choose between many options, a small subset of the whole will get a disproportionate amount of traffic (or attention, or income), even if no members of the system actively work toward such an outcome.” The organization of the blogosphere is largely shaped by the fact that some members have been actively working toward that outcome for some time. The blogosphere star system is evidence that digital networks reflect offline power dynamics, the same dynamics that gave rise to theory of media imperialism. In the blogosphere, as on the internet more generally, new forms of gatekeeping have arisen and new sets of skills are becoming established practice, the prerequisites for entree into the realm of those with power on the web.

Yet bloggers around the world producing material for local and national audiences seem to be developing in ways that are distinct from the U.S. model. For international communication scholars, these authors and their products have much to say about what lies beyond the hedgerow of A-list bloggers, calling into question assumptions that form the base of much of what we read on blogging and by extension on global amateur or DIY media.

II.
This book includes contributions by scholars from ten countries that testify to the diversity of blogging and to the complex set of factors that shape national and language-based blogospheres. The case studies included each address network-era questions about the uniquely universal-particular and global-local qualities of our variously digital realities. The material also contributes to our understandings about the contours of the public-sphere in the network age, focusing our attention on the relationship of the global media to local and national communication aims and projects as they develop in disparate everyday socioeconomic, technological and political conditions.

In the opening chapter Nabil Echchaibi analyzes the intersection between mainstream news media and blogging in France. By focusing in particular on the banlieu blogging of North Africans, he underscores the work young authors are doing to provide a “more accurate” presentation of their daily life for French readers. Bloggers tell vivid stories of social discrimination, cultural ghettoization and poor schooling, for example, that are seldom reported in the mainstream media.

Indeed, one predominant theme to emerge in the book is identity articulation and negotiation online. In “Theorising the Muslim blogosphere: Blogs, Rationality, Publicness and Individuality,” Eugenia Siapera examines the impact of blogging on the dynamic process of contemporary Muslim identity construction. Her chapter looks at how blogs provide an alternative understanding of the ways Muslims engage today’s caricature topics such as the West, modernity, secularism and Islam. In her chapter, Kim DeVries considers how bloggers express a distinct ethnic and cultural identity for an audience perceived as simultaneously local and international and the ways communication practices between the bloggers and their readers also reflect this perception. Her analysis of five blogs written from China in English suggests that contrary to concern that they serve primarily as another conduit for Western cultural imperialism, the blogs have helped to define a robust national identity and undermine stereotypical images.

The continued significance of “place” in online communication is the focus of several of the chapters. Karina Alexanyan and Olessia Koltsova analyze Russian use of LiveJournal.com, a popular American blogging and social networking site with more than 400,000 users—one of the largest aggregates of Russian-language activity online. Their analysis of angry and fearful reactions on the part of users to LiveJournal’s recent licensing deal with a Russian media company demonstrates how the ability of technology to foster the emergence of new transnational cultures is tempered by traditional geo-political concerns. Several authors also underline the fact that the effectiveness of blogging as a political tool varies from locale to locale. Axel Bruns and Debra Adams use IssueCrawler, a Web-mapping tool, to identify and plot the issue networks among Australian bloggers and related sites on a number of key political issues. They argue that, contrary to received wisdom, political blogs in Australia act nothing like political blogs do in America: rather than mixing with mainstream media, they remain almost entirely apart from more conventional forms of political coverage. Similarly, in examining blogging in Israel, Carmel L. Vaisman concludes that unlike the American and Arab experience, where local bloggers have had direct impact on the political system and traditional media, mainstream journalists in Israel largely ignore political blogging, prompting bloggers to make direct contact with politicians. In a chapter exploring politically influential Arab blogs, Aziz Douai leans his analysis toward events in Morocco, suggesting that blogging has been effective there because it has been set against a solid social movement that mobilized the “Arab street.”

The final two chapters provide material on the populist power of the form. Giovanni Navarria explores the rebirth as a celebrity political blogger of blacklisted Italian comedian Beppe Grillo. Navarria demonstrates that Grillo has well-harnessed the power of the web to promote innovative modes of political participation, but he warns that Grillo, like other leaders who have emerged outside the traditional channels of institutional politics, are as prone to populism or demagoguery as they are to high-end democratic debate. Yasmin Ibrahim uses the 2006 elections as a case study to explore the impact of blogging on political discourse in Singapore. She argues that political blogs have had symbolic as well as “performative” impact, suggesting that they have worked to re-mediate the political landscape by constructing new forms of civic participation, thus disrupting and displacing the dominant discourses of the nation through personal narratives.

III.
More than simply pointing toward the variabilty of blogging practice and product, the articles in this book suggest that blogging, like digital communication more
generally, is being conceptualized differently in distinct cultural contexts. A blog can be more things than we are presently imagining, a vehicle of democratic expression, yes, but also a means to revive tradition, to explore identity, to conduct public relations, and so on and on. By looking at local contexts, we can develop more nuanced assessments of how blogospheres variously serve communication needs, how they exist in relation to one another, where they exist apart as well as where they overlap and how they interact with other forms of communication in the larger media landscape.

In 1996 Braman and Sreberny-Mohammadi considered how the internet might influence international public discourse: “Today the internet genuinely—at least for the moment—offers autonomous production processes for those with the ability to surf it. The Net in fact may offer the opportunity for the creation of a public sphere or public spheres genuinely outside of the bounds of any single nation-state or organizational entity.” (1996:38)

More than a decade later, however, the globalized online public sphere is being shaped by many of the same factors that shaped the nation-based mass-media public sphere, the most notable factor being a persisting tilted international cultural power dynamic. In the current environment the global blogosphere is engineered by traditionally powerful groups of people in the developed world. The criteria set by these people from which to select sites for translation and promotion are being increasingly absorbed around the globe, ratcheting up the number of blogs that identifiably conform and pushing aside those that do not, paring down the blogosphere both online and in the mind.

But from the time of its nineteenth-century formulation, the notion of an overarching public sphere has always been problematic. Nancy Fraser’s version (1992), which describes a landscape of smaller “subaltern” public spheres that push back against dominant deliberations, seems a more viable way to envision a positive network-era reality. To arrive at a richer understanding of blogging in particular and of digital-era expression more generally, media studies scholars must work to move beyond the notion that communication practices and products should be valued according to the democratic values supposedly embedded within them. We should be attempting instead to develop theories of international communication that can see variation as something other than non-modern and (therefore) non-democratic.

ENDNOTES
1 Their work on cross-cultural readings of American primetime soap “Dallas” is still an influential and persuasive example.
2 For more on “riverbend” see: Aziz Douai’s chapter on the Arab blogosphere.
3 On the oral versus writing cultures see, for example, Walter Ong’s Orality and Literacy: The Technologizing of the Word (New York: Methuen, 1982).
4 Blog: Understanding the Information Reformation (That’s Changing Your World) (2006) by Hugh Hewitt, Crashing the Gates: Netroots, Grassroots, and the Rise of People-Powered Politics (2006) by Jerome Armstrong and Markos Moulitsas Zuniga; Blog!: How the Newest Media Revolution is Changing Politics, Business, and Culture (2005) edited by David Kline, Dan Burstein, Arne J. De Keijzer, and Paul Berger; An Army of Davids: How Markets and Technology Empower Ordinary People to Beat Big Media, Big Government, and Other Goliaths (2007) by Glenn Reynolds; and The Blog Ahead: How Citizen-Generated Media is Radically Tilting the Communications Balance (2006) by R. Scott Hall.
5 According to the United Nations, 19,401 people participated in the event, representing 174 national delegations, 92 international organization (like UNESCO or UNICEF), 606 non-governmental organizations, 226 business entities, and 642 media outlets. The conference was one of the best-attended UN conferences of the decade. (http://www.onecountry.org/e173/e17306as_WSIS_Tunisia_Story.htm)
6 See for example Lerner, Daniel and Schramm, Wilbur L. (Fwd. by Lyndon B. Johnson) Communication and change in the developing countries (East-West Center Press, Honolulu, 1967);Schramm, Wilbur L. (ed.) The impact of educational television: selected studies from the research sponsored by the National Educational Television and Radio Center (University of Illinois Press, 1960); and Schramm, Wilbur L. and Atwood, Erwin. Circulation of news in the Third World: A study of Asia (Chinese University Press, 1981).
7 See, for example Annenbelle Sreberny-Mohammadi and Ali Mohammadi’s Small Media, Big Revolution (University of Minnesota Press, 1994), for example, on how during the 1979 Islamic revolution in Iran, radical groups depended on audio-cassettes to promote their theocratic anti-western ideology.
8 Global Voices is sponsored by Reuters, which often picks up stories from the site.


REFERENCES
Ang, I. (1985). Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Meytheum.

Appadurai, A (1990). Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minneapolis Press.

BBC (16 November 2005). “Annan calls for digital bridges” accessed September 2007 from http://news.bbc.co.uk/2/hi/technology/4443392.stm

Benkler, Yochai (2006). The Wealth of Networks. Yale University Press.

Boyd-Barett, O. (1977). Media Imperialism: toward an international framework for the analysis of media systems. In Curran, J. Gurevitch, M. and Woolacott, J. (eds) Mass Communication and society. London: Edward Arnold.

Braman, Sandra and Annabelle Sreberny-Mohammadi (eds.) (1996). Globalization Communication and Transnational Civil Society. Cresskill, New Jersey: Hampton Press.

Clay Shirky, “Power Laws, Weblogs and Inequality,” Clay Shirky’s Writings About the Internet. Accessed on 3 October 2006 from http://www.shirky.com/writings/powerlaw_weblog.html

Committee to Protect Journalists Report (2005). “Christophe Boltanski Attacked,” accessed September 2007 from http://www.cpj.org/cases05/mideast_cases05/tunisia.html

Curran, James and Myung-Jin Park (2000). DeWesternizing Media Studies. New York: Routledge.

Downing, John (2000). Radical Media. New York: Sage.

Fraser, Nancy. 1992. “Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy.” In Habermas and the Public Sphere, edited by C. Calhoun. Cambridge, Mass.: MIT Press.

Jenkins, Henry (2006). Convergence Culture. Cambridge, MA: MIT Press.

Liebes, Tamar and Elihu Katz (1993). The Export of Meaning: Cross-Cultural Readings of Dallas. New York: Polity.

Lerner, Daniel (1958). The Passing of Traditional Society: Modernization in the Middle East. New York: Free Press.

Lim, Merlyna (2003). The Internet, Social Networks, and Reform in Indonesia in Couldry, Nick and James Curran (eds). Contesting Media Power: Alternative Media in a Networked World. London: Rowman & Littlefield Publishers, Inc.

Luke (2006) TK. In Leah A Lievrouw and Sonia Livingstone (Eds) Handbook of New Media. New York: Sage.

Mattelart, A. (1979). Multinational Corporations and the Control of Culture. Atlantic Highlands, NJ: Humanities Press.

Negroponte, Nicholas (1996). Being Digital. New York: Vintage.

Rheingold, Howard (2000). The Virtual Community: Homesteading on the Electronic Frontier. Cambridge: MIT Press.

Russell, A., M. Ito, T. Richmond, and M. Tuters (forthcoming 2008). “Networked Culture,” in Kazys Varnelis Ed. Networked Publics, MIT Press.

Schiller, Herbert (1976). Communication and Cultural Domination. New York: International Arts and Sciences Press.

Sreberny-Mohammadi and Mohammadi, Ali (1994). Small Media, Big Revolution. University of Minnesota Press.

Thussu Daya (2000). International Communication: Continuity and Change. London: Oxford University Press.

Tunstall, J (2007). The Media Were American. London: Oxford University Press.

Turkle, Sherry (1997). Life on Screen. New York: Simon & Schuster.

November 07, 2007 | Permalink | Comments (0) | TrackBack (1)

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Registration is open for 24/7: DIY Video Summit

24/7: A DIY VIDEO SUMMIT
February 8-10, 2008
School of Cinematic Arts, University of Southern California

Conference web site: http://www.video24-7.org
Blog: http://diy.video24-7.org/

Spaces are limited for attendance at the academic panels and the workshops. The video screenings are free and open to the public. Please help us spread the word about this event.

24/7: A DIY Video Summit will bring together the many communities that have evolved around do-it-yourself (DIY) video: artists, audiences, technology providers, academics, policy makers and industry executives. The aim is to discover common ground, and to chart the path to a future in which grassroots and mainstream, amateur and professional, artist and audience can all benefit as the medium continues to evolve.

This three-day summit features:

SCREENINGS OF DIY VIDEO
On February 8 and 9, there will be screenings of DIY video that are open to the public. These will feature curated programs on design video, activist documentary, youth media, machinima, music video, political remix and video blogging. The video program will culminate in an evening program and reception on February 9 that will draw from all of these video genres.

ACADEMIC PROGRAM
Registered attendees will have access to the academic program on February 8 and 9 that features panels on The State of Research, The State of the Art, DIY Media: The Intellectual Property Dilemma and DIY Tools and Platforms. Featured speakers include Yochai Benkler, John Seely Brown, Joi Ito, Henry Jenkins, Lawrence Lessig, and Howard Rheingold.

WORKSHOPS AND BIRDS-OF-A-FEATHER MEETINGS
On February 10, the day will be devoted to practical and hands-on workshops for registered attendees on topics such as intellectual property, media creation, distribution and new-media design tools.
Attendees will also have the option of organizing their own birds-of-a-feather meetings to connect with other attendees

November 06, 2007 | Permalink | Comments (0) | TrackBack (0)

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Laptopping the world

Nigeria

One Laptop Per Child (OLPC), a nonprofit global education project head-birthed by MIT Media Lab Founder Nicholas Negroponte, is set to release its third-generation $100 laptop next month. The computer, called the XO-1, is the centerpiece of the organization's plan to change the world by getting kids around the world online and computer literate.

Call it techno-utopianism (you wouldn't be the first) but the idea is to get enough inexpensive and specially tricked-out computers into the hands of a critical mass of kids so that they can create networks among themselves, challenge themselves and each other through computer play, and easily hack the software to make the computer evolve as their skills expand. The fairly tiny XO-1 can be powered with a hand crank, read in direct sunlight and is fully opensource.

One of the central ideas of the project is that, given the present inadequate resources dedicated to education worldwide, kids themselves must be "leveraged" to provide for their education. As the organization website puts it:

"Many children ”especially those in rural parts of developing countries” have so little access to school that building schools and training teachers is only one way ”perhaps the slowest way” to alleviate the situation. While such building programs and teacher education must not stop, another and parallel method advised by OLPC is to ...engage children directly in their own learning... Internet access and tools for expression (text, music, video, graphics) are the contemporary 'toys' for learning. Every child of any means in the developed world has access to a computer at home and usually his or her own computer, complete with music, DVD, and interactive and rich media to do anything from learning languages to playing games. Making these same resources available to the roughly one billion other children, who do not have such access, has seemed ridiculously daunting but is no longer."

The XO-1 software includes compilations of music to "get kids into the idea of contemporary composition and digital literacy," says DJ Spooky, one of the many contributors to the project. "I donated beats, scratches, and various midi components, as did several other electronic and digital media artists from a wide variety of cultures (and ethnic groups)."

Direct criticisms of the project include concerns that the XO-1 still costs too much, that kids in Nigeria have been surfing porn sites, that the computer material will create toxic waste, that the keyboard is too small and thus prevents older children and adults from participating in the benefits, and that parents will sell off the things to pay for more pressing stuff like food and drugs.

Proponents answer by pointing out that the expense is comparatively negligible, that you can filter porn, that the XO-1 is made of the latest most-green material available, that people of all sizes learn to use blackberry and mobilephone keyboards just fine, and, hey, what can you do about parents anyway.

They also say the snazzy colors could make hacker chicks out of a billion little would-be princesses and ballerinas. And that's huge!

October 24, 2007 | Permalink | Comments (0) | TrackBack (0)

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Wesch 2.0

Michael Wesch, the professor behind the video, is a cultural anthropologist at Kansas State University. His most famous video, Web 2.0... The Machine Is Us/ing Us, is also on web cultural and the way we (and computers) learn things. The comment thread at YouTube on the video posted above is sort of interesting, featuring a lot of interpretations that see Wesch as criticizing student preoccupations with the internet. I think it's pretty obvious, though, that his critique is with traditional learning, with the We Talk-You Listen format that still dominates the classroom, even now, as network many-to-many communication takes over in most other aspects of our mediated societies.

Here's how Wesch describes the video:
"It summarizes some of the most important characteristics of students today” how they learn, what they need to learn, their goals, hopes, dreams, what their lives will be like, and what kinds of changes they will experience in their lifetime. Created by Michael Wesch in collaboration with 200 students at Kansas State University."

October 24, 2007 | Permalink | Comments (0) | TrackBack (0)

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fansub jihad

Picture_1_2The NYT reports today on the jihadi version of fansubbing. According to the paper, people like North Carolina 21-year-old Samir Khan cull all variety of al Qaeda-type material ”anti-American screeds, terrorist adventure novels, bomb-making videos,” translate them into English and repackage them with what the Times presents as a scary kind of new-media savvy. Long diverting rants are put into "flashy English," as the Times puts it, and "grainy car-bombing tapes" turned into "hip-hop video."

The paper seems in part to be reporting with wide eyes on the decades-old fansub phenomena, where a network of supporters of a media genre, most famously of Japanese anime, unofficially work together online across the globe to translate and promote and make available the latest work. Samir Khan, says the Times, is "part of a growing constellation of apparently independent media operators who are broadcasting the message of al Qaeda and other groups, a message that is increasingly devised, translated and aimed at a Western audience." Khan's blog, unlisted by the Times, is apparently one of the more heavily trafficked of the sites, drawing something like 500 regular users.

As you can imagine, the jihadi fansubbers face hurdles not met in other genres. Khan's blog has been taken down by a few different service providers. He now runs off of Muslimpad, located first in Texas and now in Jordan and designed for "Islamic networking." There is also the special coded language practitioners are forced to use. When you upload your latest car-bomb "propaganda rap video," as the paper puts it, you do it from a cafe and then call your fellow fansubbers and tell them things like: "Hi, Johnny, your mom is traveling today."

The Times piece is entertaining in the human detail it uncovers (eg, Khan's dad has unplugged the jihadi blogger's internet a few times and has now forced him to write a disclaimer, something like: "The views of the blogger are not the views of the house owner, etc..."). It's also entertaining for all the funny crusty little ways the writers manage to semi-consciously implicate hip-hop and youth culture in the threatening message they have to relate about the terror fansub network. Why is it not a "propaganda music video" instead of a "propaganda rap video," for instance? Because the word "rap" just carries more exotic punch to those Manhattan writers and readers, doesn't it.

October 15, 2007 | Permalink | Comments (0) | TrackBack (0)

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dms and the future of education

Rheingold_011

This Fall I joined the faculty of the Digital Media Studies program at University of Denver where I've been introduced to some truly innovative and mind-stretching digital media projects, research, and teaching—social conscious gaming, biologically inspired computing, digital poetics, and much more. And on the first day of classes I was amazed to find students who are completely immersed in the digital media landscape and who are excited to add an element of critical studies to their approach to creating and navigating online space.

I’m less amazed to find there is a gap between the role of technology in the students lives and education and the role university administration think new media ought play. Some of my students told me that in orientation sessions they were warned by upper-class students that the university discourages the use of social networking sites like Myspace and Facebook. As a new faculty member I have been advised that it is against university policy to use sites off the DU server as part of my courses. We are all supposed to stick with Blackboard a course management system that mimics old-school structures of education and whose parent company Blackboard, inc. filed a patent on their Learning Management System last year and ever since seems to be actively battling innovation in educational technology by suing open source e-learning projects for patent infringement. Many educator are boycotting blackboard because of this. Others boycott because it’s cumbersome and unreliable. (I found out just what a pain it is when I taught a course at the American University of Paris from Los Angeles and the system regularly vanished assignments I’d posted and cut out on live chat sessions I was conducting with the class.)

Universities like so many cultural industry sectors are having a rough time adapting to the digital age and accepting that the structures of knowledge, socializing, creativity, and learning have changed. Fortunately for DU, with such web savvy students and faculty, the “upstream education,” as one of my colleagues called it, seems poised to take place sooner than latter. There is a growing body of resources to aid in this process of optimizing the use of digital tools in education. Here is a talk given by Howard Rheingold, pictured above, in Second Life on pedagogy and civic participation.

October 01, 2007 | Permalink | Comments (0) | TrackBack (0)

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alternative journalisms

Picture_3

This past May at the ICA annual conference in San Francisco Seeta Peña Gangadhara, Benjamin De Cleen and Nico Carpentier organized a series of fantastic panels on participatory journalism practices and products. The panel talks are now collected in an ebook, Alternatives on media content, journalism, and regulation. You can download the whole book here or go to the book's website to download individual chapters.

The panels and the book do an amazing job of drawing on the expertise of both academics and media practitioners; assessing various alternative media projects so we can know what works and what doesn't; and breaking down the barriors between various types of activist media.

October 01, 2007 | Permalink | Comments (0) | TrackBack (0)

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24/7: DIY Video Summit

Over the past year a group of us at the Annenberg Center have been planning 24/7: A DIY Video Summit to be held in February 2008. We’ve posted an announcement of the event on our DIY media blog, on our live journal community, and in more detail here.

The event grew out of Networked Publics, a collaborative research group that I was a part of at the Annenberg Center in 2006-2007. 24/7 is meant to bring together creative, academic, and industry groups to celebrate and negociate the future of DIY video and to further explore some of the issues raised at the Networked Publics conference and in our forthcoming book.

I’ve just finished watching the videos submitted by our great group of curators from across various DIY genres (including machinima, vloging, youth video, fan vids, documentary) and here are a few of my favorites:

A Girl Like Me

The French Democracy

Waiting in Line

Humans

Violence

Hometown Baghdad

And here is a collection of political remix mashups.

August 01, 2007 in DIY Video | Permalink | Comments (0) | TrackBack (0)

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banner images

The images at the top of the site represent some of my media-related interests and projects: (1) public art and culture jamming; (2) mobile and DIY communication; (3) kids and media; and (4) social movements, digital networks and the changing news-media landscape.  Here is more about each image:

OBEY Giant campaign, the street art project by skater and artist Frank Shepard Fairey, has become one of the most recognizable anti-brand brands. In the late 80s Fairey and his people created paper and vinyl stickers and posters with an image of the wrestler André the Giant and then began sticking them all over the East Coast of the US. By the early 90s stickers were showing up around cities in the US, Europe, Asia, and Latin America.  Part tactical media part viral marketing the Obey GIANT campaign is described by Fairey as an experiment in phenomenology.  To him, “the sticker has no meaning but exists only to cause people to react, to contemplate and search for meaning in the sticker.”

This Brazilian boatman created his own version of a mobile phone by building a phone booth on his boat.  This image was taken from a talk by Francois Bar about mobile technology appropriation at USC's Annenberg Center.

These are my kids watching a movie. Being a parent has piqued my interest in the tensions between commercialism, children’s culture, and media. I’ve learned a lot from my colleagues the Annenberg Center who are part of the Digital Youth research team.

This Zapatista mural Vida y Sueños de la Cañada Perla [Life and Dreams of the Perla River Valley] was recreated by a group of San Francisco artists and activists on the wall of City Lights Books. The origial mural was destroyed in 1998 raid by the Mexican Army on Taniperla. I began researching  Zapatista  communication strategies  in the mid-ninties when  the movement emerged as the first major sustained example of networked-era  communication. Today I see the strategies and tactics the Zapatistas used to propel their movement onto a global stage manifest in everything from viral marketing to activist media. 

July 26, 2007 in About the Banner | Permalink | Comments (0) | TrackBack (0)

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Diebold!

DieboldkeysPosted originally on popandpolitics.com

On the Diebold Election Systems website you could find, until yesterday morning, the photo of these little keys that open ALL of their e-voting machines. Could a hacker create a duplicate key from the Diebold website photo? Gee, I wonder…

Concerned citizen Ross Kinard of Sploitcast decided to find out:

“I bought three blank keys from Ace. Then a drill vise and three cabinet locks that used a different type of key from Lowes. I hoped that the spacing and depths on the cabinet locks’ keys would be similar to those on the voting machine key. With some files I had I then made three keys to look like the key in the picture.”

Princeton researchers who last fall released a study detailing the vulnerability of the machines to software hacks confirmed that two of the three keys made by Ross opened the crackpot Diebold machines.

See for yourself!

January 26, 2007 | Permalink | Comments (0) | TrackBack (0)

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Accented Blogging

Call for Book Chapters

Topic: Accented Blogging: Reconceptualizing the role of blogs in an international context

Book edited by: Adrienne Russell (American University in Paris/USC Annenberg Center for Communication) and Nabil Echchaibi (University of Louisville)

The proliferation of the American blogging model around the world, with its norms, practices and modes of operation, represents to many the liberating potential of a new cultural product, created and distributed globally through digital tools and networks. Others, however, might see the phenomenon as a contemporary example of media imperialism. The upsurge of blogging worldwide presents an opportunity to understand the development of network culture and technology, in particular, the ways context is shaping the act and content of blogging and the varying aims and effectiveness of bloggers around the world. The editors of this book are seeking articles that explore the political, social, cultural, and technological contexts under which bloggers operate in various international settings. Preference will be given to contributions that offer an empirical and theoretical examination of one or more of the following themes:

  • The usefulness and limitations of American-exported media activist tools and practices and their applicability in different local and national contexts;
  • Media hegemony as it relates to one-way transfers of new media technology, even when the technology appears in the form of tools of resistance;
  • The impact of the blogosphere on nationalism;
    The roles the blogosphere plays in developing and sustaining transnational networks and diasporic communities;
  • The role of blogging in creating an effective public sphere and enhancing civic responsibility and activism;
  • The impact of blogging on traditional political institutions and its ability to challenge conventional political legitimacy;
  • The relationship between traditional mainstream media and the blogosphere.

Submissions that address other aspects of blogging from an international perspective will be considered.

Prospective contributors are invited to submit proposals by 31 January 2007. Proposals should include the following:

  1. 800 word abstract
  2. List of key references
  3. 150 word bio of each author
  4. List of any relevant articles published

Please send inquiries or submit material electronically (Word attachment) to the editors at: arussell@annenberg.edu and n0echc01@louisville.edu

January 11, 2007 in Research | Permalink | Comments (1) | TrackBack (0)

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Public Relations and Digital Communication Networks

Excerpt from a talk given at USC’s Annenberg School, November 2006

It used to be that PR took a company’s message to the market indirectly through the editorial side of the media business, while marketing took the message directly to the target-consumer or end-user audience. The line between marketing and PR is blurring and PR professionals are expected to do more product-focused activity. In a 2006 PR Week survey on corporate public relations, 51 percent of 219 respondents report product/brand communications as one of their responsibilities. This is partly because social media such as blogs give PR professionals more direct contact with end users of company products, and partly because consumers are paying less attention (forwarding through commercials, listening to ipods and Pandora-type websites instead of radio) and investing less trust in traditional ads. In 2005 Procter and Gamble released results of internal research that showed PR was more cost effective than marketing for four of six brands they examined. And the company has adjusted its budgets accordingly.

Drawing from recent PR research, including an extensive study on social computing by Forrester and interviews and reports posted on industry blogs and wikis, I’ve considered the significance of networked communication strategies and how they are being applied more broadly to PR:

A. Media Convergence
Old and new media are converging (1) as tools in PR campaigns and (2) as ways to gauge the success of campaigns. First, although there are clear benefits to adopting network media tools such as social networking platforms, wikis, and blogs, PR campaigns must target traditional media as well, partly to reach the significant portion of the population that is still not online or has (or wants) only limited access, to the web, and partly because the genres are becoming increasingly blurred. Second, measuring the success of campaigns can be done with increased ease and in much greater detail with digital tools. Instead of clip counts or compiling the number of mentions of a company or product, digital tools and networks facilitate “brand monitoring”—to find company or issue mentions in the media through aggregators such as Lexis/Nexis and run them though linguistic analyses.  This allows the researcher to discern whether coverage is positive or negative and whether it contains the key messages companies are trying to get out.  It’s also much easier to calculate numbers of impressions.

B. Tactical Convergence
Despite the hype, many traditional PR tactics have simply been adapted to the 2.0 environment. Blogging for example is essentially an extension of community and or investor relations—a way to project a good image, to keep up with the concerns of the larger community, to put a personal face on a corporation. This is not new. In 1907 AT&T defended itself against distrust of big companies through lowering local rates, designing friendly greetings by women operators, by publicizing good working conditions. Alignment with key bloggers is also like gaining the confidence of opinion leaders. These are not new tactics; they just take new form in the networked-media environment.

C. Shifting Trust and Accelerating Social Forces
Viral or “word-of-mouth” campaigns are gaining power in relation to official accounts and sources. People trust each other more than experts.  They trust communities more than institutions. So PR professionals need to gain the trust of communities. There exist today many new ways to gauge public concerns and interests but often companies make the mistake of entering these spaces only to get information for themselves, a generally defensive strategy. For example, a recently released white paper from Cymfony, a market and PR research group that studies the intersection of consumer-generated and traditional media, had this to say about social media: “(1) Activist bloggers may target your company on its social policies. (2) Discussion boards may contain rumors and misinformation that undercuts your stock price. (3) The social-media world may turn a positive story in traditional media against you when it weighs in with its highly opinionated style.” This view characterizes social media as a threat rather than an asset. But a more productive view is that social media gives you the tools to facilitate genuine conversation. 

Social media are accelerating even faster today than they were ten years ago.
RSS (Really Simple Syndication) (a form of web syndication used by
websites and weblogs), tags (descriptors that web users and bloggers assign to topics and objects), and social book marking (like del.icio.us) eliminate classification hierarchies and help organize information so that people can keep track of and be involved in many different conversations of their choosing. IM, podcasts, vlogs, blogs combined with organization and classification tools all make user-to-user connections smarter and more frequent. In terms of activism, this means PR professionals need to not only closely monitor but also to quickly respond to concerns or problems that arise among consumers. In terms of PR more generally, it means that consumers are the most effective way to get information from which to improve products and services and to establish and maintain a good reputation. The way to gain trust according to professionals who have been a part of some of the most successful recent campaigns, is to work with consumers, to listen to them, to give over your brand to them and give them reason to be loyal to it. 

There is one school of thought lead by Alex Wipperfürth and outlined in his book Brand Hijack that says brands with a weak or non-existent image are the most appealing to ad-weary consumers and that the lack of brand identity has been the crucial features in the success of Pabst Blue Ribbon, Ebay, Amazon. Such viral buzz that these products have benefited from cannot be the center of every campaign, but it offers a lesson that can be applied to other types of companies and products: involve the consumers in defining the brand and use them to spread the word.

D. Anarchy versus Chaos
Control must be relinquished but there are strategies for influencing representation of your clients/issues/brands. This is something that I have not yet seen PR professional or academics compellingly address. The Zapatistas did it by being a significant voice in the discourse, providing carefully thought-out and well-timed material, and providing overarching narratives to contextualize and explain the movement. PR professionals are working to develop strategies to “let customers become the brand” while still having a say in what the brand represents. PR professional need to become a part of the community and be a dynamic voice within it. This can take the form of creating campaigns dressed down in the aesthetics of amateur cultural production. The FX channel, for example, has used MySpace to great effect in creating a profile for a fictional character from their television program Nip and Tuck as a way to promote the show. Professionals can also tap into the information generated by vociferous consumers to make services and products that better serve them.

What’s compelling about the adoption of social networking tools by PR practitioners is the balance they need to strike between seemingly contradictory forces—social versus financial (or political) gain. Stuart Ewen in PR!, a Social History of Spin talks about a longstanding contradiction in the field of PR throughout the Twentieth Century. PR is on one hand a response to the demands of the public—about giving power to the voice of the people—and on the other it’s about engineering public consensus.  PR both responds to and manages public opinion, and no set of new technologies is going to change that.

Public Relations, whether for Pabst Blue Ribbon or the Sierra Club or Halliburton or the presidency, is one of the most powerful and yet under-explored social forces in contemporary society.  And I think there are changes taking place that will have significant implications for the relationship between the public and corporations, governmental, and non-governmental institutions.

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Bio

Adrienne1_2 I am an assistant professor in the Digital Media Studies program at the University of Denver. From 2005-2007, I was a fellow at the University of Southern California’s Annenberg Center for Communication. Before that I spent three years as an assistant professor in the Department of Global Communication at the American University of Paris. My current book project examines the evolving values and practices of journalism. The book, Networked, explores interaction among the people who produce the news and the evolving relationship between the news and the public. I have also just finished co-editing with Nabil Echchaibi the book International Blogging, a volume of case studies on the way national and local contexts influence blogging around the world, to be published in 2008 as a part of Steve Jones' Digital Formations Series. You can email me at adrienne.russell at du dot edu.

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Recent Publications

“Salon.com and the Shifting Culture of Journalism”
Forthcoming in Elizabeth Bird Ed. The Anthropology of News and Journalism: Global Perspectives, University of Indiana Press, 2008.
Draft

International Blogging
Editor with Nabil Echachaibi, forthcoming, Peter Lang, 2008.
Introduction

“Digital Communication Networks and the Journalistic Field: The 2005 French Riots”
Critical Studies in Media Communication, Vol. 24 no. 4, October 2007.
Excerpt

Networked Public Culture
By Adrienne Russell, Mizuko Ito, Todd Richmond, and Marc Tuters.
Forthcoming in Kazys Varnelis Ed. Networked Publics, MIT Press, 2008.
netpublics.annenberg.edu/alternative_media/networked_public_culture

“Deviance and Innovation: Media Coverage of File Sharing and the Music Industry”
First Monday
www.firstmonday.org/issues/issue11_9/russell/index.html

“Zapatista Myths: Exploring a Network Identity” and “Introductory Essay”
New Media and Society,
August 2005.
nms.sagepub.com/content/vol7/issue4/

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Networked: A Contemporary History of News in Transition

BOOK PROPOSAL EXCERPT

Networked: A Contemporary History of News in Transition Adrienne Russell I. Statement of Aims

The first Gulf War was one of the biggest news stories of the 1990s and one of the largest television events in history. It was also, in hindsight, the greatest of the last things covered in the age of mass-media journalism, more sweeping and more spectacular than the other big last things, which in the U.S. included the Anita Hill hearings, the Rodney King riots, and the O.J. Simpson Bronco chase and trial. Indeed, the first Gulf War was shaped in part by the journalism of its time: the way the war began, how it was described, conducted and concluded all catered to the distinct characteristics of a journalism that developed over the course of the last century and that reached its zenith in the era of cable news and the first Gulf War. By the time of the second Gulf War, mass-media journalism was giving way to a new journalism made possible by digital communication networks and low-cost digital authoring tools, which lowered the threshold for producing, publishing, and disseminating knowledge and culture. This new media environment produced a significant change in the relationship between news producers and consumers, and facilitated the creation of a networked journalism, more diverse, diffuse, personal, unwieldy and raw than mass-media journalism. As news story and media event, the second Gulf War reflected the shift, seeming at some point to have been overtaken by the new networked coverage—as if the new-media landscape and its inhabitants, like the full territory and people of post-Saddam Iraq, took the war planners by surprise.

Despite resistance from traditional journalism outlets, the relationship between news production and consumption are changing significantly due in part to the trend toward highly pervasive digital networks, which manifests in news culture as increased visibility and mobilization of what journalism scholar and journalism innovator Jay Rosen calls “the people formerly known as readers.” With this shift in the role of the public, it became clear to many within the news industry that journalists needed to reconceived of news work to include contributions from professionals as well as amateurs, from people across the networked media spectrum. The boundaries between producer and consumer and between public and private are blurring. Today, as Yochai Benkler has theorized, we are at the beginning of a shift away from commercial media and centrally organized knowledge production toward “non-market” and distributed production. Marginal and viral consumers and publics of commercial culture are creating their own cultural content and knowledge that both draws from and threatens the core of commercial culture. What is more, instead of replacing commercial industry ideology with another structure of authority as Geert Lovink argues, these networked publics follow a nihilist impulse against moral absolutes and objective truths, which in relation to journalism translates into a growing distrust of commercial news organizations and their product. He writes, “Questioning the message is no longer a subversive act of engaged citizens but the a priori attitude, even before the TV or PC has been switched on.”

Much has been written about the tensions between traditional journalism and new-media journalism, but most analysis is unsatisfying in that it ignores the reality of how effortlessly people integrate old and new media today, in practice and as a way of thinking. Commentators tend to divide the media landscape in two, placing traditional media on one side and new media on the other, pitting them against each other, and, in effect, labeling one good and the other bad. Yet today's media user-consumers with access to digital networks think in terms of uploading and downloading information, of surfing material and mixing media in the same headspace they think of switching dials, rolling film and turning the page. For the fully mediated generation, informational genres are almost as loose as they are identifiable. News and comedy, fiction and nonfiction, internet and television commentary, public relations and public information—the distinctions remain a critical part of the blur. Contemporary journalism is a product of contemporary network society, shaped by participatory and convergent media cultures. Networked explores how news is changing in this digitally networked era. Journalism is experiencing a seismic shift, an evolution that looks now to be at least as dramatic as the introduction of television. This evolution speaks to the broader way society and culture has changed and is changing and will change in the future.

Networked is a history of a transitional moment in journalism and by extension of a transitional moment in our mediated culture and society. The book examines the way new technologies, in the context of shifting economic, cultural, and political conditions, have influenced and are continuing to influence journalism but more importantly how the practices and values of journalism have been and are being negotiated from within the field. It identifies four developments that have flourished with the turn toward networked public culture—(1) amateur and non-market production; (2) networked collectivities for producing and sharing culture; (3) niche and special-interest groups; and (4) aesthetics of parody, remix, and appropriation. The book examines how these developments manifest in the current news environment by presenting examples and analysis of these four areas, of how they are playing out in news products and practices and of the controversies and discussion they have sparked among members of the media and the public. The book draws on this rich vein of material—on the texts at the center of the debates and related commentary; on interviews with traditional-and new-media journalists and activist whose work influences the news agenda, and on ethnographic research at the online newsrooms including the New York Times online, the Guardian’s Comment is Free, The Huffington Post, Salon.com and France’s new 24-hour broadcast news channel and website France 24/7. The book explores how influential individuals and organizations have resisted or seized upon developments. It also integrates literature on network and mediated society and participatory and convergent culture to provide a theoretical framework with which to understand the forces at work and the stakes involved in developments we have all experienced on some level but, caught up in the rush of change, have had limited perspective to interpret.

The book opens with an analysis of recent journalism and related scholarship and its links to historical debates about the role of the press and the nature of publics, using journalism products and practices during the first and second Gulf wars to illustrate the changes that have accompanied the shift from mass to networked news. Subsequent chapters center on case studies that reflect the emergence of amateurs, networked collectivities, niche groups and parody and remix into the journalism landscape. The book concludes with an examination of the consequences of developments for those who believe democracy depends upon a vital public sphere.

Today we are just at the beginning of a new era of journalism so we see only hints of what a fully networked news environment might look like. Indeed the future of journalism is still very much being defined. The goal of this book is not to declare the forms of networked journalism described here as inevitable but rather to highlight sites of contestation within the field and between the forces of technology, economics, and variously organized internet groups and the public interest. The book seeks to place new developments in journalism in context, and to serve as a counter argument to so much work that treats these recent changes as predetermined.

II. Outline

Chapter 1

Introduction: News and its Transformation from Mass to Networked

This chapter describes the mass-media era, launching from an examination of the media landscape that shaped the coverage (and the conduct) of the 1991 Gulf War and then tracing the development of journalism-as-profession over the course of the twentieth century, making the case for why the Gulf War could be seen as the culmination and then, in light of ensuing developments, conclusion of the era. The chapter then puts forth the book’s theoretical and methodological approach, providing a basic historiography of journalism. It concludes with an outline of the key developments and cases presented in the book.

Chapter 2

Open-Source Journalism and the Wealth of Networks

The movement for a broad-based open-source journalism was initiated by Indymedia during the 1999 protests against the World Trade Organization in Seattle and has since spurred experimental news projects such as Oh My News, Digg.com, Current TV, and the Huffington Post’s Off the Bus. But the ideas facilitated by the rise of amateur cultural production and the networks that allow people to connect with one another and pool their collective intelligence also spontaneously manifests whenever bloggers and other online activists play watchdog by taking up issues that mainstream news organization have ignored or erroneously reported. This chapter examines various examples of both spontaneous and organized open source journalism, with a particular focus on the Huffington Post’s Off the Bus citizen journalism project, the norms and practices of its participants and the response toward it on the part of journalists.

Chapter 3

From the Daily Me to The Long Tail: Fragmentation, Polarization, Diversification

In his book The Long Tail, Chris Anderson, editor-in-chief of Wired magazine, describes how networked distributors like Amazon.com increasingly make profits not from the “short head”—a small number of bestsellers—but from the “long tail”—a wide variety of niche products with small circulation. Tailoring to the specialized interest of news publics has been a key feature of online news since its early days and has elicited anxiety among those concerned that by not receiving the same news, experiencing the same media events, members of the public are no longer bound by a common mass mediated experience. On the other hand the long tail of news is celebrated for bringing new voices and perspective into the public conversation. This chapter examines the rise of niche news and the debates surrounding its proliferation.

Chapter 4

News Parody and Remix: When There is Nothing Left to do but Laugh This chapter examines the history of detournement as a political tool and argues that their contemporary manifestations—remix and parody—have become an increasingly significant part of the networked news landscape. By examining popular contemporary news parody—including The Colbert Report, The Daily Show, 23/ 6, Britain’s The Day Today, France’s Le Canard Enchaîné; and Les Guignols de l’Info; The Yesmen; and political remix videos—this chapter argues that contrary the assertions of those who claim these new news genres signal cynicism and a breakdown of civic engagement, these alternative discourses are both a product of and anecdote to the particular challenges faced by contemporary global culture and are creating new forms of engagement that are acting partly at least to revive civic culture.

Chapter 5

Journalism: Cultural Industry and Public Trust

New-media journalism, which often depends on poaching mainstream news products, has not met with the same contestation over intellectual property that is occurring in other creative industry sectors. Rather than trying to shut down online news, mainstream media are poaching do-it-yourself products, practices and, at times, values in order to remain relevant. In embracing key characteristics of network communication, however, especially interactivity, journalists will have to partly surrender authority, the we-create-you-consume doctrine of modern journalism. To many in the industry this is a rabbit hole: if mainstream outlets don't have the authority to deem what is news and what is truth, what do they have to sell? And what are the implications of this shift in authority on public life? Much as music fans and videogame hackers are reconfiguring corporate entertainment media, alternative news producers provide viewpoints and analyses that supplement and alter mainstream news in the process as product, information and experience. This concluding chapter addresses the contemporary tensions between journalism’s role as a cultural industry and as a public trust and conveys the implication of this altered news landscape though the point-of-view of those journalists who have been at the forefront of defining the future of news.

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Research & Projects

Networked Journalism
My primary research right now is on the changes that have taken place in journalism culture since the mid-nineties. I am writing a book, Networked: A Contemporary History of News in Transition, which traces the transformation over the past decade from mass-media journalism to a new journalism made possible by digital communication networks—a networked journalism more diverse, diffuse, personal, unwieldy and raw than mass-media journalism, a new information product, in fact, that underlines the outdated quality of the longstanding genre classifications of communication we have come to take for granted, classifications like "personal" and "professional," like "news" and "entertainment" and "advertising" and so on.

DIY Media
At ACC I am working with Mimi Ito and Howard Rheingold to explore emerging forms of participatory or do-it-yourself media. Last year I wrote with the ACC fellows a "wiki" essay on networked culture that's being published as part of a book on networked culture by MIT press. This year we're hosting a monthly  speaker series, an online forum, and two workshops as a prelude to a Fall 2007 DIY Video Media Festival, which I'm co-chairing with Mimi. We've invited key innovators as well as major industry representatives—including of course the Google guys. The goal of the festival is to showcase experiments in viral, amateur, and peer-to-peer work and to build new alliances that might influence the future of DIY media.

PR 2.0
My research on journalism and on networked culture has led me to consider the ways networked communication strategies are, on the one hand, being applied in the field of public relations and how PR strategies, on the other, are being applied more broadly in network communication. Corporations and politicians are increasingly adopting digital grassroots PR tactics. And individuals are developing elaborate PR campaigns in self-promotion through the use of new networked tools. PR, I think, is becoming one of the most pervasive, powerful, and yet under-explored social forces in contemporary society. In 2007 taught a course at USC’s Annenberg School of Communication that emphasized emerging tools and practices and explored the issues and debates related to winning and maintaining public confidence in the networked era.

Read an excerpt from "Public Relations and Digital Communication Networks, a talk I gave at USC’s Annenberg School on November 2, 2006.

International Activist Blogging
My research in online activism has led me to explore the development of blog culture in international contexts. It is clear that news blogs in the U.S. and France, the two specific contexts my work has examined thus far, are increasingly interacting with the content and agenda of mainstream news. For all the usual reasons, including early development and access to resources, successful western (mostly American) blogging models are being exported around the world, in the form of their norms and practices but also on the level of code—that is, in their styles of interface and mode of operation. I have just finished editing a book with longtime friend and media scholar Nabil Echchaibi on the ways U.S. blogging norms and practices function once they're exported around the world. In examining media activist tools and practices in different local and national contexts, we aim to address network-era questions on media hegemony or control—even when it appears in the form of tools of resistance—and on the uniquely universal-particular and global-local qualities of contemporary network society.

The 2005 French Riots, Pierre Bourdieu and New Media
The Fall 2005 riots in France and the controversies surrounding the way they were reported underlined the transnational and trans-media nature of the contemporary news landscape, highlighting some of the debates surrounding emerging journalism practices and products. The events provided material through which to pose some basic questions about the way the digital communication environment is evolving. A good place to start, I thought, was with French sociologist and media theorist Pierre Bourdieu's ideas about the journalistic field. With the ghost of Bourdieu at my side, I recently completed a case study that offers a snapshot of new-media news activity centered around the riots and the ways that new-media activity may be challenging traditional journalism, altering it slightly now, perhaps, but pointing to a major contemporary shift and dramatic potential change in the future. The study underlines the relevance of Bourdieu’s writings to analysis of new media as well as suggesting ways to usefully update his conception of the journalistic field.

“The French Democracy”—New Media and Global Public Address
I am completing an article with Jayson Harsin of the American University of Paris on the machinma film “The French Democracy.” The film is an example of how opportunities for amateur cultural production and distribution created by emerging forms of digital media are expanding the voices and points of view that constitute global publics or the transnational public sphere.

The Zapatista Online Network
My doctoral research centered on the Zapatista movement, perhaps the first major sustained example of a networked-era "wired" social movement, the first example of how—with the rise of many-to-many distribution in the form, for example, of mailing lists and collective blogs and of peer-to-peer social networking and collective authoring tools—the threshold for publishing and disseminating knowledge and culture to a general public was and continues to be reduced, increasing the speed and dimensions of DIY media and altering the character of longstanding communication genres. Articles based on my dissertation research have been published in scholarly journals, including New Media and Society, Journalism: Theory, Practice, and Criticism, Gazette - International Journal of Communication Studies, and Peace Review.

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Current & Recently Taught Courses

Networked Journalism
University of Denver

This course traces the shift that has taken place over the past 15 years from mass-mediated journalism to networked journalism, with emphasis on experiments in citizen and open-source news and the changing relationship between journalists and their publics. Students will critically assess some of the most controversial news coverage of the era—including coverage of the first Gulf War, the Clinton/Lewinsky scandal, the search for weapons of mass destruction in Iraq, and recent civil unrest in France—in order to analyze emerging news cultures and practices and their impact on the public and on democracy more generally.

Activist Media: A historical overview 1960-2008
University of Denver

In studying 1960s-era Students for a Democratic Society, Todd Gitlin demonstrated how the group’s attempts to attract media attention ended with its giving over the movement message to reporters and editors. Today’s alternative cultures use internet and mobile technologies to access and circulate mainstream information, but also to rapidly exchange information that exists outside mainstream media channels. Activist movements today with access to digital tools and networks are no longer dependent on newspapers and broadcast networks to represent them, to disseminate their messages. On the contrary, these wired cultures are developing sophisticated public relations strategies. We are, however, just beginning to see how the proliferation of alternative networks of communication, and the content, practices, and identities they facilitate, interact with traditional political and business organizations, as well as with traditional media products and practices. This course focuses on media activism over the past half-century tied to various movements. We’ll examine the similarities and differences among media strategies with an emphasis on contemporary protest movements and their use of new and old media.

Digital Media Studies Reseach Methods
University of Denver

This course explores strategies and techniques for conducting graduate level research in the area of digital media studies. It is also a course in applied theory and will engage the ideas of major historical and contemporary thinkers in order to build on and respond to their work on the intersection of technology, culture and various forms of power. The goals of the course are: 1) the strengthen your ability to critically assess digital media technologies and practices and the various methods used to research them; 2) to build the skills and knowledge necessary to create theoretically informed digital media artifacts and analyses; and 3) to implement these skills in writing your master’s project/thesis proposal.

Critical Approaches to Digital Media
University of Denver

This course introduces students to the historical, economic, social and behavioral context of the digital media with particular emphasis on the Social Web—the so-called web 2.0 technologies focused on social interaction and community. The rapid growth of participatory culture online through, for example, interactive news sites, community boards, bookmarking, tagging, virtual worlds, gaming, IM, social networking, and blogging has significant social implications and brings up issues of privacy, intellectual property, and the nature of community and public engagement. This class will explore these issues as they manifest in various cases including politics, youth culture, activism, news and art. Particular emphasis will be placed on the question of how new media differs from mass media across various fields of cultural production (music, news, advertising, for example) and on what influence new digital products and practices might have on these industries and on cultures and societies more generally.

Public Relations and Society
University of Southern California

[Course Syllabus]
New-media tools and the evolving relationship between media consumers and producers are widening the field of PR significantly to include everyday people and groups who until now have not had access to the means to represent themselves and their issues to the public. At the same time corporate and political PR is enjoying unprecedented influence over the media agenda. It is no secret, for example, that the current presidential administration has spent record amounts on PR or that video news releases it has created often end up on broadcast news channels. Nor is it a secret that some of the most popular "personal" videos on YouTube have been produced clandestinely by marketing firms. Corporate agendas often merge with news agendas, compromising the role of the press and the viability of the public sphere. This course explores these trends, the increasing participatory communication, as well as the blurred agendas and overlap, asking students to critically assess the new expanded role of public relations in public life.

The Internet and the Politics of Control
American University of Paris

[Course Syllabus]
Drawing on cultural theory formulated by academics as well as techno-culture journalists and novelists, this course explores the development of the Internet, its role in society and the ongoing contests to control it. Topics include: hackers, filesharing, online journalism, virtual communities, online dating, activist networks, intellectual property law, e-commerce, and the new economy.

Global Media Power and Resistance
University of California Berkeley

[Course Syllabus]
Does today’s transnational flow of images, products and people lead to a global culture dominated by Nike, McDonalds, CNN and Disney? Or does it foster a global community where people can address common problems such as environmental pollution and human rights abuses? This course explores these and other questions related to international mass communication and globalization. It also examines how globalization is influencing mass- and networked-communication products and organizations and the cultural implications of these developments.

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Digital Communication Networks and the Journalistic Field: The 2005 French Riots

EXCERPT

Introduction
The 2005 riots and protest in France sparked by the death of teenagers Bouna Traore and Zyed Benna in the Paris suburb Cliché-sous-Bois were both facilitated in part by new-media technologies and covered extensively by new-media consumers and journalists. French youth used digital communication tools and networks to coordinate with one another, exchange opinions and information, and to circulate calls to action. Activists used digital media to critique mainstream media coverage, complaining about what they viewed as biased and inaccurate reporting at some of the major national and international news outlets. The deaths of Traore and Benna, and the ensuing unrest, generated heated debate about immigration and racial discrimination in France—but also about representations of these issues in the news media and about the role played by new-media in facilitating a new level of coordinated social protest and violence. Government officials claimed the riots were orchestrated through mobile phone instant messaging. Police arrested bloggers and threatened hip-hop artists for supplying the provocative and downloadable soundtrack to the violence. Bloggers from all over the world critiqued coverage in realtime and engaged mainstream journalists in online debates. Mainstream outlets adopted new-media tools and tactics. Politicians submitted to interviews by bloggers and used the internet to garner support for their plans to restore order and to address the issues at the heart of the unrest.

The unrest as a fully mediated extended news event offers rich examples of journalism products and practices emerging as part of the new-media environment. This paper argues that the nature of these emerging products and practices, when considered in light of Pierre Bourdieu's influential field theory, point toward a significant evolution in the field of journalism, one facilitated by new media and that features the rise of the news-media consumer-participant as a de facto member-architect of the profession. The paper examines ways new-media use may be expanding the field as it was outlined by Bourdieu in what he saw as a previous era of change.

Just before the dawn of the digital age, Bourdieu lamented the declining quality of the news and described an expanded field of production, pulled closer to the economic field, which he believed was responsible for the decline. To understand journalism, he argued, it is necessary to consider how it is practiced and to examine the power relationships at play. For Bourdieu the key "unit of analysis" for media research is the universe of journalists and media organizations acting and reacting in relation to one another, the "institution" shaped by the participant responses to varying degrees of political and economic pressure and to each other, the ways they position themselves within a tradition and among their peers. Bourdieu’s field approach to media studies is more relevant than ever given the context of today’s media landscape, where the codes and norms that guide the behavior of reporters and editors and that shape the content of news stories are being worked at by increasing numbers of people contributing news product through, for example, weblogs, so-called meta-news or commentary sites, mobile-phone instant messaging, do-it-yourself (DIY) journalism and realtime video sites—all of which play loosely with standards and stream easily across editorial borders. Indeed, debates over news standards and practices are now a routine part of the news cycle, discussions concerning clashes among old- and new-media products carried out across the cultural spectrum—by journalists, but also by scholars, politicians, artists, filmmakers, and religious leaders. Nearly a decade ago, Pope John Paul II sent out a special message stressing the need for greater responsibility in the age of the internet. He called on journalists to "transmit information while respecting truth, fundamental ethical principles and personal dignity" (Grossman, 1998). As much as a warning against new-media information culture, the Pope's message is evidence of how broadly the mostly American ideology of the professionalized journalism of the past hundred years has been exported and accepted around the world; that is, that the norms and procedures of professional journalism make those who practice them most qualified to discover the truth and to convey it to the public. In recent years, new-media news material has sparked heated debate and hand wringing among commentators time and again, from the details of the Clinton-Lewinsky affair to weblog accounts of life in post-Hussein Iraq and images of war, torture and terror.

Centered on the debate over coverage of the French riots and on the expanding digital-information environment, this case study attempts to underline the relevance of field theory to studies of new media, interrogating Bourdieu's influential configuration of the journalistic field and in the process raising key definitional questions about emerging journalistic communication. Bourdieu's national and mainstream institutions and practitioners have become transnational and networked, augmented by non-institutional mass media and by new forms of news product. This analysis therefore provides a snapshot of select "new-form" journalism as it engaged events in France in 2005 and presents a reading of French- and English-language meta-discourse, the coverage of the coverage, as it appeared at mainstream as well as at autonomous or DIY news outlets. The controversies surrounding the coverage constitute a record of the ways journalists and members of the news public are articulating their conceptions of journalism—its usefulness, obligations, successes, failures and so on—the ways they create working definitions of the field.

Of course field theory stresses the fact that the perceptions and practices of journalists are shaped by multiple and various factors—economic, cultural, political, technological—that the "universe of journalists" is influenced by the universe of businesspeople and of politicians, etc (Bourdieu, Benson, Couldry). This analysis, however, centers on the forces at work "within" the field because questions concerning the place of new-media participants in journalism are yet to be fully articulated, the demographic of contemporary field participants being in particular an area of potential flux. The question of identifying participants of the field or of noting potential significant alterations to the participant demographic is an issue to be addressed, I would argue, at the starting point of any further field analysis. It is also an issue that touches on other key areas of Bourdieu's theory—areas that distinguish field theory from, for example, so-called new institutionalism, such as those concerning the variability of institutionalization itself—the way the rules and practices are naturalized over time through power dynamics in the form of competition for scoops, the constant monitoring of material produced by rival outlets, the fight for access to sources, the changes in relative prestige of news media and brands, the social class and training of people entering the profession, the number of positions versus the number of applicants—all of what media sociologist Rod Benson refers to in short as the "relational construction of journalistic identity." (2005:12) Acknowledging that many additional "outside" factors must be considered before drawing any wider conclusions and also taking into account research that has persuasively argued that journalism norms are particularly subject to contestation and debate in times of political crisis (Gitlin, 1980:273), this analysis maintains that just now as the field is widely but mostly instinctually held to be in transition it is worth systematically noting and describing emerging forms and deliberation that shed light on challenges to contemporary understandings and practices of journalism, pointing the way to further research, which could, in a more extended comparative fashion, suggest the strength of these challenges and the nature of their influence over time.

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CV

ADRIENNE RUSSELL
Digital Media Studies
University of Denver
Sturm Hall 216, 2000 E. Asbury Street
Denver, Colorado 80208

EDUCATION

Ph.D., Journalism and Mass Communication, Indiana University Bloomington, 2001.

M.A., Media Studies, Stanford University, 1995. 

B.A., World Literature and Cultural Studies, University of California Santa Cruz, 1993.

ACADEMIC EMPLOYMENT

Assistant Professor, Digital Media Studies, School of Communication, University of Denver, Fall 2008. Teach courses on critical approaches to digital media, activist communication, and emerging forms of journalism.

Fellow, Annenberg Center for Communication, University of Southern California, August 2005-Present. Researching the social, economic and political impact of network communication technologies as part of an interdisciplinary team of scholars.

Lecturer, Annenberg School for Communication, University of Southern California, Spring 2007. Teach course on public relations in the networked media environment.

Assistant Professor, Department of International Communications, American University of Paris, Fall 2002-Present.  Teach courses on international communication research and theory, new media technologies, the public sphere, public relations, and journalism.

Visiting Assistant Professor, Mass Communication, University of California Berkeley, Summer 2005. Taught a course on Global Media, Power and Resistance.

Visiting Lecturer, Department of Communication, Santa Clara University, Summer 2000 and Summer 2001. Taught News Writing and Editing.

Visiting Lecturer, Department of Communication, Notre Dame de Namur University, Fall 2000. Taught Introduction to Communication.

Associate Instructor, School of Journalism, Indiana University Bloomington, Fall 1997- Spring 1999. Taught News Writing, Editing and Reporting. Assisted teaching Foundations of Mass Communication.

PUBLICATIONS

Books Chapters
Networked Culture, editor and co-author with Mizuko Ito, Todd Richmond, and Mark Tuters. Kazys Varnelis Ed. Networked Publics, forthcoming, MIT Press, 2008.

“Salon.com and the Shifting Culture of Journalism,” in Elizabeth Bird Ed. The Anthropology of News and Journalism: Global Perspectives, forthcoming, University of Indiana Press, 2008.

Edited Volumes
International Blogging, editor with Nabil Echachaibi, forthcoming, Peter Lang, 2008.

New Media and Society, editor of theme section on new media and global political resistance, August 2005.

Refereed Journal Articles
“Digital Communication Networks and the Journalistic Field,” Critical Studies in Media Communication, forthcoming, Vol. 24 no. 4, October 2007.

“Covering Music Filesharing and the Future of Innovation,” First Monday, September 2006.

“Zapatista Myths: Exploring a Network Identity” and “Introductory Editorial,” New Media and Society, August 2005.

“Chiapas and the New News: Internet and Newspaper Coverage of a Broken Cease-Fire,” Journalism: Theory, Practice, and Criticism, Vol. 2 no. 2, August 2001.

“The Zapatistas Online: Shifting the Discourse of Globalization,” Gazette - International Journal of Communication Studies, Vol. 63 no. 5, October 2001.

Related Publications
“Looking at Manzanar: Japanese Internment and post 9/11 Racial Politics,” co-author, Seven-by-Seven Magazine, San Francisco, Spring 2002. 

“The Zapatistas and Computer-Mediated Peace,” Peace Review, Vol. 13 no. 3, September 2001.

“ER,” “The Golden Gate Bridge,” “Quentin Tarantino,” “William Randolph Hearst,” St. James Encyclopedia of Popular Culture, edited by Tom and Sara Pendergast, Snohomish, Wash.: Full Circle Editorial Inc., 2000.

Online Blogs and Forums
Contributor and Administrator with Howard Rheingold of University of Southern California Annenberg Center for Communication’s DIY Media Weblog (http://weblogs.annenberg.edu/diy/), an experimental online forum on issues related to participatory media products and practices.

Contributing blogger at Pop and Politics (http://www.popandpolitics.com), a website based at University of Southern California Annenberg School of Communication that covers the intersection of youth, politics and popular culture.

PROFESSIONAL EXPERIENCE

Senior Editor/Writer, Sierra Club Office of Environmental Programs, San Francisco, Calif., 2001-2002. Wrote and edited publicity and fundraising material, managed grant-proposal and report-preparation process, and taught workshops on grant writing and public relations to nationwide Sierra Club chapters.

Course Editor, Powered, Inc., formerly Notharvard.com, Austin, Tex., January, 2000-2002. Oversaw and managed course development for online university.

Communication Manager, KPMG LLP, San Francisco, Calif., 1999-2000. Drafted written and oral proposals to provide professional services to organizations and corporations, managed campaigns to obtain client contracts.

Web Publisher, Indiana University, Bloomington, Ind., 1996-1997. Edited and published Newsletter of Journalism Ethics, an online publication.

Research Manager, McGraw Hill Publishing, San Mateo, Calif., 1995-1996. Responsible for primary audience survey design, interpretation and statistical analysis of syndicated research. 

Writer and Researcher, High Road Productions, Palo Alto, Calif., 1995.  Researched and created a print guide to the documentary entitled “The American Promise,” aired on PBS, October 1995.

Editorial Assistant, Mother Jones Magazine, San Francisco, Calif., 1992.  Conducted background research for feature stories, fact-checked and wrote sidebars and short articles.

Reporter, El Andar Bilingual Weekly, Watsonville, Calif., 1992.  Covered local community events, wrote feature articles in English and Spanish. 

APPEARANCES, CONFERENCE PAPERS AND PANELS

“The New Publics of the New News,” The Future of Public Institutions, University of British Columbia, Vancouver, British Columbia, Canada, May 2-3, 2008.

“DIY Media and Challenges to Traditional Media Featuring Stories from Diverse Communities,” panel chair and respondent, Untold Stories: Truth and Consequences, Estlow Center for International Journalism, University of Denver, Denver, Col., April 2008.

“The State of Reseach,” organized and chaired panel, 24/7: A DIY Video Summit, School of Cinematic Arts, University of Southern California, Los Angeles, Calif., February 2008.

“Digital Communication Networks and the Journalistic Field,” Annenberg Center for Communication DIY Media Speaker Series, Los Angeles, Calif., May 2007.

“Between Commerce and Coercion: Emerging Paradigms in Chinese Journalism,” chaired panel for the International Communication Association Annual Conference, San Francisco, Calif., May 2007.

“Networked News and Emerging forms of Public Engagement,” Observatoire des Mutations des Industries Culturelles international conference on transformations in cultural and media industries, Paris, France, September 2006.

“New Media Technologies and Global Public Address: the video ‘The French Democracy,’” AUP/NYU Symposium on Cultural Diversity and Global Cultural Governance, Paris, France, March 2006.

“Global Communication, New Media, and Network Resistance: A Case Study of the Social Justice Movement,” International Communication Association Annual Conference, New York, N.Y., May 2005.

“Shifting Truths and the New News,” Annenberg Center for Communication Networked Publics Seminar Series, Los Angeles, Calif., February 2006.

“Network Narratives, Network Resistance,” MIT4: The Work of Stories, Massachusetts Institute of Technology. Cambridge, Mass., May 2005.

“Fostering Global Civil Society: The Role of Communication Education,” organized panel for the International Communication Association Annual Conference, New Orleans, La., May 2004.

“The Nation and Globalization Technologies,” International Communication Association Annual Conference, New Orleans, La., May 2004.

“Network Activism at the World Social Forum: Combining Old and New Media,” World Social Forum, Mumbai, India, January 2004.

“Deviance and Innovation: Media Coverage of File Sharing and the Music Industry,” Digital Dynamics Conference sponsored by the International Communication Association and the International Association of Media and Communication Research, University of Loughborough, Loughborough, UK, November 2003.

“Myth-Making Online: A Tale of the Zapatistas, Staring Heroes, Savages, Victims, and Beasts,” International Communication Association Annual Conference, San Diego, Calif., May 2003.

“Globalization, the Internet and the Public Sphere,” Rhetoric and Globalization Conference, American University of Paris, Paris, France, October 2002.

“The Zapatista War of Words: Online Discourse and the Limits of Traditional News Coverage,” International Communication Association Annual Conference, Washington D.C., May 2001.

“Chiapas and the New News: Internet and Newspaper Coverage of a Broken Cease-Fire,” the Association for Education in Journalism and Mass Communication Annual Conference,
Phoenix, Ariz., August 2000.

“Zapatistas Online: Shifting the Discourse of a Nation,” Association for Education in Journalism and Mass Communication Annual Conference, New Orleans, La., May 1999.

“The Internet and the Zapatista Army of National Liberation: A Local Struggle in a Global Environment,” the International Communication Association Annual Conference, San Francisco, Calif., May 1999.

“Sex, Lies, and the Whitehouse: How Journalists Wrote Themselves into the Story,” Association for Education in Journalism and Mass Communication Annual Conference, Baltimore, Md., August 1998.

“Images and Intent: Two Views of the Japanese Internment Camp, Manzanar,” Crossing the Jordan Cultural Studies conference held at Indiana University, Bloomington, Ind., November 1997.

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